Article from LA Times Thanks to Lisa for this information! News from Costa Mesa, Newport Beach in the Times Community Newspapers TOM TITUS -- Theater Review 'Cinderella' glitters at the Center Theatergoers who have seen "Into the Woods" (the current attraction at Costa Mesa Civic Playhouse) a few times and are thirsting for a more traditional Cinderella story can avail themselves of the glittering original at the Orange County Performing Arts Center through Sunday. Rodgers and Hammerstein's "Cinderella," a hipper version of the classic fairy tale etched into children's theater history decades ago by a fellow named Disney, is a show calculated to enchant the youngsters while entertaining their parents. Director Gabriel Barre has mounted a joyous production, bubbling over with eye-catching special effects and animated puppetry that sustain the magical theme. Eartha Kitt, still kittenishly sensual in her 70s, headlines the show as the fairy godmother (even though her part is a tenth the size of the title role). Kitt offers that familiar throaty voice that crooned "Santa Baby" a half-century ago and presents an imposing, no-nonsense benefactor who weaves her magic without benefit of a wand. Her agility, considering her years, is remarkable. The show's Cinderella, Jamie-Lynn Sigler, may be familiar to many TV viewers as a Soprano. Here, she's a lowercase soprano who charms the audience from the outset after a chance meeting with the prince in the public square. This gives rise to "The Sweetest Sounds," a song Richard Rodgers also employed in his 1962 musical "No Strings," but which fits more comfortably in "Cinderella." Sigler's lithe presence and splendid vocal talent elevate the fairy tale to a lustrous level, fleshing out the scullery maid cringing before her overbearing stepmother and stepsisters. Her ballroom scene with the prince -- earnestly enacted by Paolo Montalban -- bears a welcome touch of realism that shines through all the magic. The stepmother and stepsisters generally are quite uglified, but this production takes tradition one better by casting a male actor in drag (Everett Quinton) as the stepmom. Quinton milks all the juicy physical comedy available from his gravel-voiced character, and his facial contortions are priceless. The sisters -- here given the ironic names of Joy and Grace -- are equally outlandish. Alexandra Kolb's woebegone Joy possesses a horse laugh akin to Jay Leno's buddy Angela Ramos. The graceless Grace of NaTasha Yvette Williams, nervously scratching herself through the ball, is somewhat overdone but a hoot nevertheless. Ken Prymus and Leslie Becker deliver solidly likable performances as the king and queen, anxious to get their son married so they can start spoiling their grandchildren. Brooks Ashmanskas deftly swipes his scenes as the royal steward, the fellow who really gets things done. Animation -- four mice, a cat and a bird -- is achieved by onstage puppeteers who give their "characters" such sprightly personalities that they themselves fade, as intended, into the background. It's an interesting, and heretofore unseen, gimmick that enhances the fairy-tale aspect of the show. Modernization is evident throughout. Phrases such as "same old, same old" are used liberally and racial mixing (the royal family, the stepsisters) is accomplished without many eyebrows being raised. Kitt presents a very with-it fairy godmother, cutting to the chase with a minimum of ceremony. Musical director Andrew Lippa and choreographer Ken Roberson keep the production light and magical, and the finale is literally gowned in glitter. This is a "Cinderella" for the entire family, especially the little princesses in their formal gowns and tiaras spotted at the Center on opening night. * TOM TITUS reviews local theater for the Daily Pilot. His reviews appear Thursdays and Saturdays. FYI WHAT: "Cinderella" WHERE: Orange County Performing Arts Center, 600 Town Center Drive, Costa Mesa. WHEN: 8 p.m. today through Friday, 2 and 8 p.m. Saturday and 2 and 7:30 p.m. Sunday COST: $22-$57 TICKETS: (714) 556-2746