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TOM TITUS -- Theater Review
'Cinderella' glitters at the Center
Theatergoers who have seen "Into the Woods" (the current
attraction at Costa Mesa Civic Playhouse) a few times and are
thirsting for a more traditional Cinderella story can avail
themselves of the glittering original at the Orange County
Performing Arts Center through Sunday.
Rodgers and Hammerstein's "Cinderella," a hipper version of
the classic fairy tale etched into children's theater history
decades ago by a fellow named Disney, is a show calculated to
enchant the youngsters while entertaining their parents.
Director Gabriel Barre has mounted a joyous production, bubbling
over with eye-catching special effects and animated puppetry
that sustain the magical theme.
Eartha Kitt, still kittenishly sensual in her 70s,
headlines the show as the fairy godmother (even though her part
is a tenth the size of the title role). Kitt offers that
familiar throaty voice that crooned "Santa Baby" a half-century
ago and presents an imposing, no-nonsense benefactor who weaves
her magic without benefit of a wand. Her agility, considering
her years, is remarkable.
The show's Cinderella, Jamie-Lynn Sigler, may be familiar
to many TV viewers as a Soprano. Here, she's a lowercase soprano
who charms the audience from the outset after a chance meeting
with the prince in the public square. This gives rise to "The
Sweetest Sounds," a song Richard Rodgers also employed in his
1962 musical "No Strings," but which fits more comfortably
in "Cinderella."
Sigler's lithe presence and splendid vocal talent elevate
the fairy tale to a lustrous level, fleshing out the scullery
maid cringing before her overbearing stepmother and stepsisters.
Her ballroom scene with the prince -- earnestly enacted by Paolo
Montalban -- bears a welcome touch of realism that shines
through all the magic.
The stepmother and stepsisters generally are quite
uglified, but this production takes tradition one better by
casting a male actor in drag (Everett Quinton) as the stepmom.
Quinton milks all the juicy physical comedy available from his
gravel-voiced character, and his facial contortions are
priceless.
The sisters -- here given the ironic names of Joy and
Grace -- are equally outlandish. Alexandra Kolb's woebegone Joy
possesses a horse laugh akin to Jay Leno's buddy Angela Ramos.
The graceless Grace of NaTasha Yvette Williams, nervously
scratching herself through the ball, is somewhat overdone but a
hoot nevertheless.
Ken Prymus and Leslie Becker deliver solidly likable
performances as the king and queen, anxious to get their son
married so they can start spoiling their grandchildren. Brooks
Ashmanskas deftly swipes his scenes as the royal steward, the
fellow who really gets things done.
Animation -- four mice, a cat and a bird -- is achieved by
onstage puppeteers who give their "characters" such sprightly
personalities that they themselves fade, as intended, into the
background. It's an interesting, and heretofore unseen, gimmick
that enhances the fairy-tale aspect of the show.
Modernization is evident throughout. Phrases such as "same
old, same old" are used liberally and racial mixing (the royal
family, the stepsisters) is accomplished without many eyebrows
being raised. Kitt presents a very with-it fairy godmother,
cutting to the chase with a minimum of ceremony.
Musical director Andrew Lippa and choreographer Ken
Roberson keep the production light and magical, and the finale
is literally gowned in glitter. This is a "Cinderella" for the
entire family, especially the little princesses in their formal
gowns and tiaras spotted at the Center on opening night.
* TOM TITUS reviews local theater for the Daily Pilot. His
reviews appear Thursdays and Saturdays.
FYI
WHAT: "Cinderella"
WHERE: Orange County Performing Arts Center, 600 Town
Center Drive, Costa Mesa.
WHEN: 8 p.m. today through Friday, 2 and 8 p.m. Saturday
and 2 and 7:30 p.m. Sunday
COST: $22-$57
TICKETS: (714) 556-2746